Color, shape, and texture are the driving features of my paintings. I begin with disparate objects and materials and, by incorporating planes of shape and color, allow them to work in much the same way elements are transformed in nature — through endless variations of light and perspective. Sand, dried paint, tree bark, crushed eggshells, or fabric may become rock formations, water, trees, leaves, feathers or clouds. The subject matter becomes less important as the piece evolves. My compositions are heavily textured with distinct divisions of graded values, invented symbols and patterns, and an awareness of vertical and horizontal planes. I allow my intuition to direct relationships of colors and shapes, whether edges are hard or soft — and when to stop painting. My goal is to create an image that will attract attention, pique the imagination and leave a lasting, positive impression. In addition to forces of nature surrounding me, I have been influenced by artists of various cultures who have reacted to the wonders of the universe in creating works of beauty and energy. Joan Mitchell, Richard Diebenkorn, Sam Gilliam, Romare Bearden and several contemporary painters such as Janet O’Neal, Pan Qiqun, Hessam Abramshami and Pat Lambrecht-Hould have inspired my work.